Wednesday, August 27, 2014

Screening Schedule Week of August 30


What’s showing this week? 
Saturday, August 30 – Friday, September 5


Martin Scorcese Presents Masterpieces of Polish Cinema  [series]
Sat Aug 30 2:00pm Blind Chance (Krzysztof Kieslowski) 1987 122m. DCP.
Sat Aug 30 5:00pm The Constant Factor (Krzysztof Zanussi) 1980. 90m. DCP.
Sat Aug 30 8:00pm  A Short Film About Killing (Krzysztof Kieslowski) 1987. 85m. DCP.


Wed Sept 3 7:00pm  Sabrina 1954. 113m.
Thurs Sept 4 7:00pm Night of the Hunter (Charles Laughton) 1955. 93m.


Wed Sept 3 7:00pm Night of the Hunter (Charles Laughton) 1955. 93m.


Fri Sept 5 midnight Back to the Future (Robert Zemeckis) 1985. 116m.


Sun Aug 31 2:00pm The Life and Death of Colonel Blimp (Michael Powell) 1943. 163m. DCP.

Tuesday, April 1, 2014

UCLA Festival of Preservation

A lot of film events going on this spring in Philadelphia. Perhaps most exciting to me is a series of classic Hollywood films playing at the International House from the "UCLA Festival of Preservation." It's a chance to see hard-to-find Hollywood films on the big screen. Bonus is the strong representation from Paramount, a studio that's often slow to release its back archive on DVD.

The series starts tomorrow. Film descriptions are available at the links.



Wednesday 4/2   7:00 pm
dir. Victor Fleming, US, 1926, 35mm, b/w, silent, 75 min.
Silent Sinclair Lewis adaptation

Thursday 4/3    7:00 pm
dir. Joseph H. Lewis, US, 1950, 35mm, b/w, 86 min.
Freudian-infused B-noir masterpiece.

Friday 4/4     
7:00 pm
Double Door
dir. Charles Vidor, US, 1934, 35mm, b/w, 75 min. 
Based-on-a-true-story dynastic melodrama
Supernatural
dir. Victor Halperin, US, 1933, 35mm, b/w, 65 min.
Forgotten 30s horror film

Wednesday 4/9   7:00 pm
dir. F. Harmon Weight, US, 1928, 35mm, b/w & tinted, silent, 65 min.
Silent romantic melodrama set in Africa
Live musical accompaniment by Andrew Marsh and Kate Porter

Thursday 4/10    7:00 pm
dir. Arthur Ripley, US, 1946, 35mm, b/w, 86 min.
Noir based on Cornell Woolrich novel

Thursday 4/17    7:00 pm
dir. Edward Sutherland, US, 1933, b/w, 35mm, b/w, 68 min.
early sound comedy starring W.C Fields, George Burns, Gracie Allen and Peggy Hopkins Joyce
combined with:
Busy Bodies
dir. Lloyd French, US, 1933, 35mm, b/w, 19 min.
Laurel and Hardy short

Friday 4/18     
7:00 pm
dir. Robert Altman, US, 1969, 35mm, 112 min.
early, pre-fame Altman feature

Saturday 4/5     2
:00 pm
dir. Marion Gering, US, 1934, 35mm, b/w, 74 min.
Paramount comedy with Sylvia Sidney and Cary Grant

(image credit DVD Beaver)

Wednesday, February 5, 2014

Michael Snow at PMA

The Philadelphia Museum of Art is having a film series of Michael Snow's work, starting tonight:



The Films of Michael Snow: Program A
Wavelength (1966–67); Standard Time (1967–68, with Joyce Wieland); and One Second in Montreal (1969)
By exploring individual cinematic techniques, such as camera zooms and pans, these films reveal Michael Snow’s interest in how films affect our perception of time and space.

Wednesday, February 5, 2014, 6:30 p.m. - 8:30 p.m.
Friday, February 21, 2014, 6:30 p.m. - 8:30 p.m.

The Films of Michael Snow: Program B
See You Later (Au Revoir) (1990); and To Lavoisier, Who Died in the Reign of Terror (1991)
Michael Snow appears in two films produced in 1990s, both of which are concerned with breaking down basic ideas we hold about cinema, such as the physical properties of celluloid and Hollywood’s narrative drive, to push film towards greater abstraction.

Friday, February 7, 2014, 6:30 p.m. - 8:30 p.m.
Wednesday, February 19, 2014, 6:30 p.m. - 8:30 p.m.

The Films of Michael Snow: Program C
Reverberlin (2006) 
Incorporating concert footage of the free improvisational ensemble CCMC (Paul Dutton, John Oswald, Michael Snow), Reverberlin weaves together images and sounds from performances that have taken place across the globe.


Wednesday, February 12, 2014
6:30 p.m. - 8:30 p.m.



Films works screened on 16mm at the Van Pelt Auditorium. (free tickets required, presumably in addition to admission). This film program is guest-curated by filmmaker and writer J. Louise Makary.

Thursday, November 7, 2013

Wicker Man

It's worth highlighting when a restoration makes a week-long run. For some reason, it feels like a rarity in Philly. Next week, the Ritz Bourse is showing 1973 cult horror film The Wicker Man, recently restored. It's an atmospheric film, worth seeing on the big screen.

Photo thanks to this review

Monday, October 28, 2013

New Middle East Cinema series

Screening at the International House this week: New Middle East Cinema series.


October 29-30 & November 1-2, 2013

Free admission




Tuesday, October 29 
5:30pm 
Life in Stills | Israel, Tamar Tal (2011)
presented by Nili Gold

Tuesday, October 29 
8:30pm 

Water | The Israeli-Palestinian Project (2012)
presented by Iris Drechler


Wednesday, October 30 
5:30pm

The Man and the Clock | Palestine, Gazi Abu Baker (2010)
presented by Ibrahim Miari


Wednesday, October 30 
6:00pm

The Repentant | Algeria, Merzak Allouache (2012)


Friday, November 1 
5:30pm 
Azis Ayse | Turkey, Elfe Uluc (2012)
presented by Mehmet Darakcıoglu

Friday, November 1 
8:30pm 
Facing Mirrors | Iran, Negar Azarbayjani (2011)
presented by Blake Atwood

Saturday, November 2 
5:30pm 

Horses of God | Morocco, Nabil Ayouch (2012)

presented by Mahyar Entezari

Saturday, November 2 
8:30pm

Rags and Tatters | Egypt, Ahmad Abdalla (2013)

presented by Ibrahim Miari

Sponsored by the Cinema Studies Program, the Jewish Studies Program, the Middle East Center, and the Near Eastern Languages & Civilizations Department at the University of Pennsylvania, in collaboration with the Philadelphia Jewish Film Festival and International House of Philadelphia.

Wednesday, October 9, 2013

This Week at International House

This week is a busy one at the International House, so I thought I'd highlight the upcoming screenings.

Wed. 10/9 7pm
This is Not a Film 
dir. Jafar Panahi & Mojtaba Mirtahmasb, Iran, 2011, 35mm, Persian with English subtitles, 75 min.

Thurs. 10/10
Mekong Hotel
dir. Apichatpong Weerasethakul, Thailand/UK, 2012, HD, Thai with English subtitles, 61 min.

Fri. 10/11
Our Nixon
dir. Penny Lane, US, 2013, HD, 84 min.

Sat. 10/12
The Illusionist
dir. Sylvain Chomet, France, 2010, 35mm, English, 80 mins.

Sun. 10/13
Revanche
dir. Götz Spielmann, Austria, 2008, 35mm, German with English subtitles, 122 min.

Friday, October 4, 2013

Albanian cinema at I-House

I have never seen any Albanian cinema, and as a national cinema, it's definitely not on the radar of most cinephiles. All the more reason the International House's series of "uncovered" European cinemas is exciting to me. Tomorrow, Saturday, Oct. 5, 7pm, they will be screening Nëntori i dytë (The 2nd November, dir. Viktor Gjika, Albania, 1982, 84m), a classic historical drama.

Albanian cinema scholar Bruce Williams will be present to introduce the film and lead a Q&A afterward.
Poster image courtesy Albanian Cinema Project

Wednesday, October 2, 2013

Milcho Manchevski in person

A mini Macedonian film festival will take place next Saturday on Temple's campus. Admission is free.



two films directed by Milcho Manchevski: 

Before the Rain (1994) 

and Mothers (2011) 



Milcho Manchevski is a Macedonian director, writer, photographer, and an artist. He is well known for directing feature films such as Dust, Shadows, Mothers, and the Oscar nominated Before the Rain.


The director will be present and for a Q&A session after each film.

the Reel Cinema, 
basement in Temple's Student Center
13th and Montgomery

cosponsored by Temple Slavic Association and Film and Media Arts department

Sunday, September 29, 2013

Vertigo at Rave


I've just discovered that Cinemark, the new owners of Rave Cinema in University City, has been running a classics series, culminating in this week's selection of Hitchcock's Vertigo, in digital projection.

Sunday, Sept. 29 (today), 2pm
Wednesday, Oct. 2, 2pm and 7pm

Hopefully they'll continue the series in the future.

Friday, September 27, 2013

22nd Philadelphia Film Fest

The schedule for the 22nd Philadelphia Film Festival is now available online. The Festival runs from October 17-27, and tickets go on sale October 1.

This year's program follows up on the festival's previous strengths as a best-of-festivals fest. It's a great chance to see films, particular world cinema films and smaller local productions, that otherwise might not get a Philadelphia theatrical release. I personally wish there would be more adventuresome repertory screenings and more international documentary selections, but I will hardly lack for films to see.

So far, these screenings are on my radar to attend:

Burning Bush, a Czech historical that's part of a trend of televisual art films
A Touch of Sin, Jia Zhang-Ke's latest work, a continuation of his thematic exploration of the cultural changes coming to contemporary China
In Bloom, a Georgian coming-of-age drama that's gotten good play on the European film festival circuit
Let the Fire Burn - as someone who did not live in Philadelphia in the 1980s, I could stand to see a good documentary about the MOVE saga, and this one sounds promising
La Maison de la Radio - Nicolas Philibert made the amazing observational documentary Etre et Avoir, but his other films have not always found wide distribution in the US

Monday, May 20, 2013

One Day Retrospective of Cleopatra



I can't say that Cleopatra (1963) has been top of the list of Classical Hollywood films I've been eager to see reissued theatrically, but that said I've not actually seen the film, and this Wednesday, May 22, the Ritz East will have a 1:00 and 7:00 screening of a digital restoration.

Tuesday, March 12, 2013

Other Mid-March screenings

As exciting as the Marker and Varda events are, they're not the only thing coming up.

Wednesday, March 13
7pm
The Last Days of Pompeii 
(dir. Mario Caserini, Italy, 1913)
35mm screening with live musical accompaniment
International House

Friday, March 15
8pm

Exhumed Horror:
Terror Train
dir. Roger Spottiswoode, 1980, 35mm
Horror Express
dir. Eugenio Martín, 1972, 35mm


International House

Saturday, March 16
11am
Howl’s Moving Castle 
part of a Hayao Miyazaki retrospective
Bryn Mawr Film Institute

Tuesday, March 19
7pm
Secret Cinema presents
B movie double feature: The Crime of Helen Stanley/Madame Spy
16mm
at The Chestnut Hill Film Group
at Woodmere Art Museum
9201 Germantown Avenue, Philadelphia
Admission: FREE


Marker (and Varda)

There's an embarrassment of riches this week, as Penn, Temple, and Slought are organizing a commemorative symposium on Chris Marker's work, with visiting filmmakers to include Agnes Varda. Here's a rundown of events:

Wed. March 13

6pm
Agnès Varda, in conversation with Molly Nesbit
University of Pennsylvania, Meyerson Hall


Thurs. March 14
7PM
Screening: Beaches of Agnes (Varda 2008)

Varda in person
International House

Friday, March 15
5:30PM
opening panel and reception for Chris Marker event
Slought Foundation

Saturday, March 16
10AM-6PM
Chris Marker event
Slought Foundation

Saturday, March 16
7PM
Screening: early Chris Marker collaborations
International House

Friday, January 4, 2013

Los Angeles School films at I House

Starting tomorrow and running through January, the International House will be screening a series of films associated with the "Los Angeles School" of African-American filmmakers to emerge in the 1970s and 80s. The series will include famous titles with new prints, more obscure films, and filmmaker appearances.
As Above, So Below (Larry Clark)

Saturday, January 5th 
2:00pm
Daughters of the Dust (Dir. Julie Dash, 1991, 35mm, color, 112 min.) - New print! Julie Dash's masterpiece, the story of an island family, descendants of escaped slaves, living off the Southern coast of the US in 1902 and contemplating a move to the U.S. mainland. Superb performances, cinematography, music and touches of magical realism grace this unforgettable film, named to the National Film Registry in 2004.
Also showing: Diary of an African Nun (Dir. Julie Dash,1977, 16mm, b/w, 15 min.) - New print! 

5:00pm
Emma Mae (Dir. Jamaa Fanaka, 1976, 35mm, 100 min.) - New print! Emma Mae arrives in Los Angeles from Mississippi replete with rough edges and an exceptional ability to kick ass. Her plain looks and shy demeanor set her apart from other "Blaxploitation" heroines. But when folks underestimate her, she surprises everyone, including her no-good boyfriend Jesse, with her extraordinary physical and emotional strength.
Also showing: A Day in the Life of Willie Faust, or Death on the Installment Plan (Dir. Jamaa Fanaka, 1972, Digital video from 16mm, color, 16 min.)

8:00pm
My Brother's Wedding (Dir. Charles Burnett, 1983/2007, Digital Video, color, 82 min.) - Director's cut! Laid off from his factory job, Pierce (EveretteSilas) marks time working at his family's dry cleaning store, swapping loaded jabs with his brother's upper middle-class fiancé and hanging out with his best friend, recently released from prison.
Also showing: A Little Off Mark (Dir. Robert Wheaton, 1986, 16mm, b/w, 9 min.)

Saturday, January 12th 

2:00pm
Bless Their Little Hearts (Dir. Billy Woodberry, 1984, 35mm, b/w, 84 min.) - New restoration! Bless Their Little Hearts chronicles the devastating effects of underemployment on a family in Los Angeles. Nate Hardman and Kaycee Moore deliver gut-wrenching performances as the couple whose family is torn apart by events beyond their control.
Also showing: The Pocketbook (Dir. Billy Woodberry, 1980, 35mm, b/w, 13 min.) - New restoration!

5:00pm
Compensation (Dir. Zeinabu irene Davis, 1999, Digital video from 16mm, b/w, 90 min.) In two Chicago love stories, set a century apart, a deaf woman and a hearing man face the specter of death, and confront intraracial differences across lines of gender, class, education and ability. Through innovative use of sign language and title cards evoking the silent film era, Compensation is accessible to deaf and hearing audiences.
Also showing: Dark Exodus (Dir. Iverson White, 1985, 16mm, b/w, 28 min.) - New print!

8:00pm
Passing Through (Dir. Larry Clark, 1977, 35mm, color, 111 min.) - New print! Eddie Womack, an African-American jazz musician, is released from prison for the killing of a white gangster. Not willing to play for the mobsters who control the music industry, Womack searches for his musical mentor, Poppy Harris. The film repeatedly turns to various musicians improvising, leading one critic to call it "the only jazz film in the history of cinema."
Also showing: When it Rains (Dir. Charles Burnett, 1995, 16mm, color, 13 min.)

Wednesday, January 16th        

7:00pm
A Different Image (Dir. Alile Sharon Larkin, 1982, 16mm, color, 51 min.) - New print! An African American woman contemplates self-identity, heritage and perception on the streets of the sprawling Los Angeles metropolis.
Also showing: Grey Area (Dir: Monona Wali, 1981, 16mm, b/w, 38 min.) - New print! Cycles (Dir. Zeinabu irene Davis, 1989, Digital Video from 16mm, b/w, 17 min.) Water Ritual #1: An Urban Rite of Purification (Dir. Barabara McCullough, 1979, 35mm, b/w, 6 min.) - New restoration!

Saturday, January 19th 

2:00pm
As Above, So Below (Dir. Larry Clark, 1973, 16mm, color, 52 min.) - New print! A rediscovered L.A. Rebellion masterpiece, Larry Clark's film comprises a powerful political and social critique in its portrayal of Black insurgency.
Also showing: I & I: An African Allegory (Dir. Ben Caldwell, 1979, 16mm, color, 32 min.) - New print! Ujamii Uhuru Schule Community Freedom School (Dir. Don Amis, 1974, Digital Video from 16mm, color, 9 min.) Medea (Dir. Ben Caldwell, 1973, Digital Video from 16mm, color, 7 min.

5:00pm
Your Children Come Back to You (Dir. Alile Sharon Larkin, 1979, 16mm, b/w, 30 min.) - New print! A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter. She is faced with the decision to look after her personally, or allow her sister-in-law to provide "more than enough" to go around.
Also showing: Fragrance (Dir. Gay Abel-Bey, 1991, Digital video from ¾" videotape, b/w, 38 min.) Shipley Street (Dir. Jacqueline Frazier, 1981, Digital video from 16mm, color, 25 min.) Rich (Dir. S. Torriano Berry, 1982, 16mm, b/w, 22 min.) - New print!

8:00pm
Black Art, Black Artists (Dir. Elyseo J. Taylor, 1971, Digital video from 16mm, color, 16 min.) A visual survey of black art since the 19th century, punctuated with jazz and blues selections, and a running commentary by woodcut printer Van Slater.
Also showing: Bellydancing - A History & an Art (Dir. Alicia Dhanifu, 1979, Digital Video from 1" videotape, color, 22 min.) Festival of Mask (Dir. Don Amis, 1982, Digital video from16mm, color, 25 min.) Four Women (Dir. Julie Dash, 1975, 16mm, color, 7 min.) - New print! Define (Dir. O.Funmilayo Makarah, 1988, Digital video, color, 5 min.)

Saturday, January 26th 

5:00pm
Child of Resistance (Dir. Haile Gerima, 1972, 16mm, b/w and color, 36 min.) Inspired by a dream Haile Gerima had after seeing Angela Davis handcuffed on television, Child of Resistance is an abstract and symbolic film that follows a woman imprisoned as a result of her fight for social justice.
Also showing: Brick by Brick (Dir. Shirikiana Aina, 1982, Digital video from 16mm, color, 33 min.) L.A. In My Mind (Dir: O.Funmilayo Makarah, 2006, Digital video, color, 4 min.) Rain (Dir. Melvonna Ballenger, 1978, Digital Video from ¾" videotape, color, 16 min.) The Dawn at My Back: Memoir of a Black Texas Upbringing (excerpt) (Dir. Carroll Parrott Blue, Kristy H.A. Kang; The Labyrinth Project, 2003, Digital video adapted from DVD-ROM, color, 10 min.)

8:00pm
Bush Mama (Dir. Haile Gerima, 1975/1979, 16mm, b/w, 97 min.) - New print! Introduced by director Haile Gerima A powerfully moving look at the realities of inner city poverty and systemic disenfranchisement as experienced by Dorothy, a pregnant welfare recipient in Watts, played by the magnetic Barbara O. Jones. Motivated by the incarceration of her partner T.C. and the protection of her daughter and unborn child, Dorothy undergoes an ideological transformation from apathy to action. 
Also showing: Daydream Therapy  (Dir. Bernard Nicolas, 1977, Digital Video, b/w and color, 8 min.)

Presented in association with UCLA Film & Television Archive and supported in part by grants from the Getty Foundation and The Andy Warhol Foundation for the Visual Arts. The series is curated by Allyson Nadia Field, Jan-Christopher Horak, Shannon Kelley, and Jacqueline Stewart. Co-sponsored by Scribe Video Center, Temple University Department of Film and Media Arts, and Philadelphia Weekly

Thursday, November 8, 2012

Ross McElwee tonight

Ross McElwee will be presenting and screening his latest film Photographic Memory tonight at University of Pennsylvania:

Thursday, November 8, 2012
5:30pm
401 Fisher Bennett Hall
University of Pennsylvania