Next Tuesday, October 19, the Slought Foundation is hosting a day-long retrospective of Ulrike Ottinger's work. Ottinger's work has ranged from narrative work on the more avant-garde side of the New German Cinema to experimental documentaries, including the 8- hour Taiga, about Mongolia (see this NYT review). Even including the couple of films to be distributed by Women Make Movies to educational and repertory audiences, very little of Ottinger's work has been available in the US.
I do wish for a proper theatrical screening of some of it, but short of that, gallery exhibitions like at the Slought may be the only way to watch it easily. They will have simulatenous video projection of her longer works throughout the day (9am-5pm): Twelve Chairs (198 minutes, 2004), The Korean Wedding Chest (82 minutes, 2008), Taiga: A Journey to Northern Mongolia (501 minutes, 1991/2), and Exil Shanghai (275 minutes, 1997)
From 5-7pm, there will be an evening screening of Still Moving (29 minutes, 2009) and Prater (104 minutes, 2007).
The main event (7-8:30pm), is a presentation by Ottinger herself, followed by public conversation with Kaja Silverman (University of Pennsylvania), Patricia White (Swarthmore College), and Homay King (Bryn Mawr College), moderated by Nora Alter (Temple University).